Our special guest on the program this month is a Jamaican dub poet who is considered by some to be the god-mother of rap, hip-hop, and spoken word. She is a writer, educator, and grassroots activist, and we’ll meet her in just a little bit – Lillian Allen.
On our Turn It Up segment, we give a shout out to a dope trans hip-hop artist and Black Lives Matter organizer in Montreal, Lucas Charlie Rose.
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* Playlist *
Morgan Heritage – Politician
D’bi Young w/ Assata Shakur – R/evolution
Linton Kwesi Johnson – Di great insohreckshan
Mutabaruka – Dis poem
Lillian Allen – Riddim an’ hardtimes
Lillian Allen – Fight back
Lillian Allen – Black voice
Lillian Allen – The subversives
Lucas Charlie Rose – This is what trans looks like
Welcome back to this week’s edition of The Rebel Beat podcast. On this show, it is our huge pleasure to welcome back our guest DJ Andy Williams of The Goods and the Jazz Amnesty Sound System. Andy is a veritable local DJ legend in Montreal, and this was the second time we’ve had him on The Rebel Beat, following his amazing set on jazz and the Civil Rights Movement for Black History Month.
Welcome back to another weekly podcast of The Rebel Beat! It was a huge honour to welcome the legendary UK DJ Don Letts as our special guest on the show this week!
It is no exaggeration to say that punk rock would not be the same today were it not for Don Letts. As a staple on the early London punk rock scene, Don was best known as the DJ at the infamous club The Roxy. As a Londoner of Jamaican descent, Don famously brought reggae to the punks, hence starting a movement which bridged continents, genres, and brought together working class youth across racial lines. Continue reading →
Boom! Welcome back to another weekly podcast of The Rebel Beat, your regular dose of revolutionary music across different genres, and class war on the dance floor.
This week on the show, our special guest is the legendary British-Jamaican dub poet Linton Kwesi Johnson. Johnson hails from Clarendon, Jamaica, but immigrated to the UK in the early 60’s. From there, he got deeply involved in the Jamaican and Black diasporic reggae scenes, as well as political organizing at a time of fervent racial oppression in England. LKJ pioneered the genre of dub poetry, or dub lyricism, which combines Jamaican patois spoken word with deep reggae and dub grooves. His music amplifies the voices of Black youth who were clashing with police in the streets, and demanding dignified lives. Continue reading →