Welcome to the latest episode of The Rebel Beat, a Firebrand Records podcast!
This is our year end episode, and it is a HUGE one. Every year, the Polaris Music Prize is awarded for the best album in Canada, as selected by a jury of music journalists. The winner of that award in 2017 was Lido Pimienta for her album “La Papessa”. Lido is a queer Indigenous afro-Colombian musician who lives in Toronto, she is rad as fuck, she is never shy to speak her mind, and she is our guest today on The Rebel Beat. Check out Lido’s music and buy her stuff here.
Want to see our round-up of best radical music in 2017? Check out our blog post here!
In our Turn It Up segment, we drop a brand new tune from the Palestinian band 47 Soul, and honor the hundreds of thousands of people who are taking to the streets around the world to say #HandsOffJerusalem!
The year is almost up, and we get ready to turn our calendars on a year that has been marked around the world by rising sea levels, rising far-right movements, and rising repression. Luckily, there will always be social movements out there to confront these injustices, just as there will always be artists and musicians ready to put a deadly beat behind a righteous message.
As we get ready for 2018, here are some highlights of radical music and podcasts that we have enjoyed at The Rebel Beat throughout 2017. If you dig these artists, and if you have some cash to spare, do consider buying their music, as this is really the only way to support independent music in our digital age.
Also, if you enjoy The Rebel Beat, please consider throwing $1 per month (or more!) our way! You can sign up easily on our Patreon page today.
Oh, and we’re about to release the next episode of our podcast, which will feature an interview with Lido Pimienta! So if you don’t wanna miss that, subscribe today on iTunes, Stitcher, TuneIn, or wherever you like to get your podcasts.
Fiver – “Audible Songs From Rockwood”
Fiver (aka. Simone Schmidt from Toronto) is a phenomenal singer-songwritter who crafted this amazing album based on the archives of a women’s prison that locked people up in southern Ontario from the 1850s-1870s. It’s hard-hitting, insightful, and the wild thing is that pretty much all the issues that Fiver sings about on the album can still be seen in the prison industrial complex today.