Welcome back to the latest edition of The Rebel Beat!
Our special guest on the podcast this month is Jeremy Pahl, aka. Saltwater Hank. Jeremy is an Indigenous Gitga’at bluegrass artist from northern so-called BC in Canada. His music comes out of an unexpected place, coming from a heavy-metal background himself. But we talked about his (surprisingly easy) transition from metal to bluegrass, Indigenous environmental politics out west, and some of the stories that have inspired his creative ballads. You can stream or purchase the new Saltwater Hank album “Stories From the North West” here!
In our Turn It Up Segment, we pay respect to Jalal Mansur Nuriddin of The Last Poets. Sadly, Nuriddin passed away at the beginning of June. Sometimes known as the “Grandfather of Hip-Hop”, Nuriddin and The Last Poets helped to pioneer a sound in the late 1960s that fused jazz, soul, and poetry reflective of the Black Power movement.
* Playlist *
Dead Prez – Behind enemy lines
Propagandhi – Fuck the border or Adventures in zoochosis
Saltwater Hank – Moose hunter blues
Gyibaaw – Winter emissary
Steve ‘n Seagulls – Thunderstruck
Black Spruce Bog – Dirty oil
Black Spruce Bog – Indian agent
Saltwater Hank – Old Hazelton
Saltwater Hank – Fish Cannery
Fiver – Hair of the dead
The Last Poets – Blessed are those who struggle
Welcome back to another weekly podcast of The Rebel Beat!
Our special guest on the show this week is long-time Mohawk Indigenous activist and filmmaker Clifton Nicholas. Clifton hails from the Mohawk reserve of Kanehsatake, located just north of Montreal. Kanehsatake made world headlines in 1990, during what is now known as the Oka Crisis, when Mohawks took up arms and blockaded their land in the face of a full-blown Canadian military invasion. The goal – to defend a Mohawk burial site from being destroyed and turned into a golf course. Continue reading →
We’re very excited to bring you this week’s podcast of The Rebel Beat, which offers a special feature on the amazing “Native North America (Vol. 1)” which came out on Light in the Attic records last November. Light in the Attic has put out some amazing reissues over the years, but this one is a powerful reflection on older Native folk tunes which speak to issues of decolonization, spirituality, love, and rock n’ roll.
From the Light in the Attic website;
Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of NativeNorth America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.